Mr. Gavins wasn't
in the hall when she left. The only person she saw was three-year-old
Billy Strevyk, playing with toy cars on the grubby hallway carpet.
The door behind him was open, and through it issued the smell of
cooking pot roast and the sounds of one of the afternoon shows,
something too raucous to be Dr. Phil but not quite trailer-trash
enough to be Springer.
The Strevyks had
two of the units and the connecting kitchen. Mr. Strevyk had been
laid off from his job on an auto assembly line and now minded the
house and kids while his wife worked. Whenever their paths crossed,
Allison always saw a sort of hurt befuddlement in his eyes, as if he
couldn't understand how his life had come to this.
On the stairs, she
passed Mr. Gavins after all. He had his now-empty pillowcase slung
over one meaty, hairy shoulder and a box of Tide in his hand. There
was no need for conversation; his doctor had advised him to take the
stairs instead of the elevator as much as possible, and he was
wheezing and sweaty-faced as he trudged up the last few steps with
the air of a climber finally reaching the peak of Everest.
Her landlady was in
the entryway, pushing a vacuum that wheezed almost as badly as Mr.
Gavins.
"I'm telling
you, Allison," she said without looking up, as if carrying on an
earlier conversation, "I finally appreciate the difference
between suck-and-spit, and suck-and-swallow."
If asked, Allison
might have expected a woman like Teddi Lace to have a
whiskey-roughened voice with a smoker's rasp. Instead, she affected a
cooing little-girl voice like the actress Jennifer Tilly, which made
the things she said seem even dirtier.
"Uh … yeah,"
Allison said.
"Swallow, you
bitch," Teddi said to the vacuum. It rolled back and forth,
picking up bits of paper and cat litter and spraying them out from
under its undercarriage.
Ex-stripper,
possibly ex-porn-star and ex-prostitute as well, she claimed she'd
once had the face and figure of a living Barbie doll. Now, though,
the living Barbie doll had put on fifty pounds … most of it in the
chest. Each of her boobs was bigger than Allison's entire head,
though considerably less firm.
Teddi had a slight
pooch of a gut, a slight sag to her rear, and lots of unconvincing
brassy-blonde hair in a Farrah Fawcett 'do. She slathered on too much
make-up, but to Teddi's credit, she didn't do herself the further
disservice of trying to shoehorn herself into clothes designed with
much younger and shapelier women in mind. Instead, she was mostly
seen in a succession of drawstring sweat pants and men's triple-X
extra-tall flannel shirts that still had a job of it bridging the gap
of her canyonesque cleavage.
Allison went around
the chugging, grinding, laboring vacuum and let herself out onto the
street. The sun was low, golden rays slanting like melted butter
between the buildings and lending even this part of town a hazy
daydream charm.
The two blocks
stretched between Prewett at the top of the hill and Pine at the
bottom. Prewett was a sleazy main drag, all fast food and bowling
alleys and motels. Pine was quieter, tree-lined, residential.
What Allison liked
best about her neighborhood was that, in a weird sort of way, it was
a small town unto itself. She wouldn't have thought such a thing was
really possible in the bustling but anonymous heart of the city.
People still knew each other here. They talked to each other …
even more, they talked about each other.
It was like living
in the middle of a soap opera, where you quickly got to know all the
characters and their problems. Allison hadn't been a resident of
Dunley Street for two weeks before she'd learned more about the
people around her than she'd ever known about the other 'good'
families with whom the Montgomerys associated.
She had heard about
Teddi Lace's checkered past. She had heard about Martha. She'd heard
how Mike, who ran Mike's Pool Hall, had a drinking problem. And how
Samuel "Needles" Jefferson from the tattoo parlor had once
broken both the arms of a flasher who'd exposed himself to little
Gretchen Oberdorfer … and how that had just been the beginning of
the luckless pervert's punishment. She knew that Ralph the barber had
lost his wife to cancer, and Al the bartender had lost two wives to
divorce and was up to his eyeballs in alimony and child support
payments.
Some of the secrets
of the neighborhood remained secrets, though. She didn't know, nor
did anyone else, exactly how Jamie Tremayne had ended up in that
wheelchair. Nobody knew whether Kurt, the middle Oberdorfer son, had
officially come out to his parents, or if the family was playing a
game of willful ignorance and denial.
And then there were
the weird kind of secrets. She didn't know what the deal was
with Mama Delilah, who some people said was a voodoo queen, and
others said was just the requisite crazy old neighborhood cat lady …
though she did know that Mama Delilah's one milky
cataract-filmed eye made her skin crawl. It was enough to make a
person sympathize with that guy from the Poe story, who had chopped
up the old man and buried him under the floor … here, you fiends,
the beating of his hideous heart.
People said that
Nathaniel Caron, who sold crystals and incense and Tarot cards, and
charged forty bucks a session as a 'psychic advisor' was really about
as psychic as Uncle Bob, and that the only reason he kept a roof over
his head was because he bore a striking resemblance to Johnny Depp. A
steady clientele of teenage girls and older ladies alike were willing
to pay that forty bucks for an excuse to hold his hand and look into
those dreamy dark eyes.
They also said that
the little house Nate ran his business out of, which huddled between
the Dunley Apartments and Red Bowl Teriyaki, had been the site of a
murder back in the 1920's and that the ghost of a young woman still
turned up in mirrors, window glass, and any other reflective surface.
Allison crossed the
intersection on a diagonal, waving to the only car currently moving.
The driver, Tina Wendmeyer from the video store up by the 7-Eleven,
tooted her horn and raised a hand in return.
Once across the
street, she was in the Dog Haus zone, awash in the aromatic goodness
that surrounded the corner shop where the Oberdorfers had been
fattening up the locals for twenty years. Her mouth watered as
helplessly as that of any of Pavlov's test subjects. Hot dogs,
bratwursts, salami, pepperoni, corn dogs … if it was meat in a tube
shape, it was on the menu at the Dog Haus, either served hot and
ready to go, or available from the deli counter.
When she had first
moved here, Allison had discovered that she could easily eat two
meals a day at the Dog Haus. A grilled bratwurst on a bun, served
with a heaping side of Mrs. Oberdorfer's German potato salad –
tender paper-thin slices of potato melting in sour cream, bacon and
cheese – was sheer heaven. She had also discovered, shortly
thereafter, that she didn't dare eat two meals a day there if she
wanted to stay trim. Not after putting on four pounds in two weeks.
These days, she
allowed herself a trip to the Dog Haus a couple of times a month,
usually every other Saturday or on a special occasion.
Two doors up, past
the Close Shave, was Sherwood Second-Hand. It was set back from the
sidewalk, under a portico roof with a perpetual pigeon problem. Trash
cans and squat, columnular ashtrays of pebbled concrete flanked the
entrance.
Signs on the glass
doors promised 50% Off All Red Tags, 20% Off Seniors Every Day,
Early Bird Special – Buy One Get One Free All Clothing Items Before
Ten A.M., and Donations Gladly Accepted.
"Sherwood
Second-Hand," she said, reaching for the door. "Robbing the
rich to give to the poor since 1992."
Inside, the store
was spacious and well-lit by florescent fixtures. The floor was
tan-flecked-with-green linoleum, the ceiling off-white. To her
immediate left was a large wooden bin for donations, which was a
third of the way full of bagged clothes and cardboard boxes of toys
and dishes despite the posted hours. To her right, a row of changing
room stalls and a rack full of rejected try-ons.
A year ago, Uncle
Bob had hired teenage Jake Oberdorfer to paint murals on the interior
walls. "Putting the punk's graffiti talent to good use," he
had explained, grinning his patented Uncle Bob grin. As a result, the
walls were almost entirely covered with images from the Robin Hood
legends. Robin and Little John duking it out with quarterstaves.
Friar Tuck. Maid Marian. Will Scarlet. Prince John.
Except that Allison
thought that somewhere along the line, either Uncle Bob or Jake had
gotten Robin Hood mixed up with William Tell and Legolas from the
Lord of the Rings movies. She certainly didn't remember
reading about Robin Hood shooting apples off of anybody's head, or
riding a shield down the steps of Nottingham Castle in a smooth
skater-move that even Scoot wouldn't be nervy enough to try.
Lyle Kane, a
not-too-bright but amiable enough guy a few years older than Allison,
was at one of the registers, selling a stack of puzzles to Winnie
from the craft store. He bobbed his head in greeting as Allison came
in. Winnie smiled cheerily and waved.
A few other people
browsed the aisles. Allison saw the Beekers from one of the
apartments downstairs from hers arguing over a headboard, and
Caroline Dressler digging through a tray of flatware in hopes of
finding a matching set.
In the toy section,
Needles' girlfriend Tisha was telling their four-year-old son Isaac
that he could choose one stuffed animal from the bin or one baggie of
action figures – old He-Man toys, with a couple of Happy Meal
prizes mixed in.
Seeing Allison,
Tisha raised her voice. "You need your nails done, girl!"
she said, shaking back long bronze-dyed beaded cornrows. She had
gorgeous mocha skin that she refused to let Needles touch with his
tattoo inks, and the kind of figure that Teddi Lace might have envied
even back in the day.
"What's wrong
with my nails?" Allison held out her hands and looked at them.
"They're
short, they're uneven, they're bare and they're boring," Tisha
said.
"Besides
that."
"Besides that?
Besides that, you've got a cuticle nightmare going on. Give me one
hour, and you won't believe the difference."
"I bet I
wouldn't," Allison said, though of course a manicure with the
fancy, jazzy polishes that Tisha liked was out of the question. She
couldn't very well make her transformation into Scoot with shaped,
buffed, sparkling-gold nails and perfect cuticles, now, could she?
"Mama, I have
this one, it little, and the hero-men?" Isaac asked,
holding up a small floppy stuffed tiger and the action figures.
Tisha gazed down at
him and blew out a fond sigh, and Allison had the feeling that Isaac
was going to get what he wanted. Mama Delilah, the
maybe-voodoo-queen, was Tisha's great-grandma. If the bloodline did
possess any powers of persuasion, they'd resurfaced in the youngest
generation.
"Sounds like
you've got some negotiating to do," Allison said. "See you,
Tish."
"Don't you
forget about those nails," came Tisha's parting shot as Allison
continued toward the back of the store. "I hate to have a hex
put on you just to get you in my door."
Swinging metal
doors opened into the thrift store's back room, which was the great
land of Not-Yet. It was a hodgepodge of donated items not yet sorted
and priced, broken items not yet hauled off to the dump, and holiday
decorations not yet in season. A short hallway led to the staff room,
where Betty Tullia was in the process of taking off her smock.
"Allison,
thank goodness, I thought you might not remember," Betty said.
Her purse was open
on the bench in front of the dented steel row of lockers, and Allison
took an automatic peek inside. Grandma-clutter. Half-eaten rolls of
Life Savers, crochet hooks, a coupon-saver with frolicking puppies on
the cover, a disposable camera.
"But here I
am," Allison said. She opened her own locker.
The staff room was
a windowless space that also included a card table, chairs, a coffee
maker, a microwave, a small fridge, the old-fashioned time clock that
no one ever used, a water cooler and a single swaybacked couch with
burnt orange cushions. The walls were hung with posters gleaned from
Hank Cotterman's travel agency showing exotic locales like the
glaciers in Alaska, Ireland's misty fields, sunny Mexico, the African
savanna and that Disneyland castle in Bavaria.
The smocks were
really aprons, but Uncle Bob never called them that. Maybe because
Lyle Kane and Donny Fielding would balk at wearing anything called an
apron. They were a bright shamrock-color, probably intended to be the
famed Lincoln green of the Merry Men, with a gold bow and white arrow
stitched above the lettering. Deep pockets in the front, suitable for
holding a heavy stapler, pens, a bunch of the little cardboard tags
used for pricing clothes and bagged toys, and a roll of stickers used
for pricing other things.
"Thank you so
much for doing this," Betty said. She patted her purse. "I'll
take pictures. Penny is such a darling. And I'm not just
saying that because she's my granddaughter. She'll be the star of the
show."
"Hope so. Is
Bob in the office?"
"Listening to
that music of his," confirmed Betty. "'Bye, Allie."
"Bye."
She pinned on her nametag – Hi! My Name is Allison! – and shut
her locker.
The short hall
continued on to a bathroom, and at the end of it, a flight of stairs
climbed to Uncle Bob's office door. Allison could hear Elvis doing
"Heartbreak Hotel," the song filled with the scratches,
pops and hisses that only came from a record player.
She tapped, heard
The King turned down. "C'min!" Uncle Bob said.
Allison did so. The
office was even smaller than the staff room, with a tinted window so
Bob could survey his domain without being seen except as a smoky
shadow behind the glass.
There was not much
in the way of a family resemblance between Allison's mother and
uncle. Marian Sherwood Montgomery was a small graceful china doll of
a woman, with a soft cloud of auburn curls and limpid, expressive
sapphire eyes. Her brother Bob was tall and stocky and red-faced,
with a comb-over fringe of grey all that remained of a flaming red
head of hair. His eyes were a light cornflower blue, twinkling behind
spectacles. Put him in a fake white beard and a red suit, and hey,
presto! Santa Claus. He did it, too, every year, though no longer at
his sister's family's house.
He had a
monstrosity of a desk, the flesh-colored paint peeling off gunmetal
steel, the top of it hidden beneath piles of papers. His chair was a
wooden slat-backed swivel on wheels, which he had rocked back to the
point where it was about to tip over, his feet up on a stack of milk
crates, one foot bopping in time to the beat.
What had possessed
her grandparents, who seemed so normal in all other ways, to name
their children Robin and Marian was beyond Allison. Her only guess
was that Granny Helen, who had always been hopelessly enamored of
Sean Connery, had been inspired by the movie in which Connery played
an aging Robin Hood.
"Allie-girl,"
Uncle Bob hailed.
In here, the walls
were not covered with travel agency posters or fanciful murals, but
concert posters and album covers. The shelves were full of records,
organized in a system that made sense to no living being but Bob
himself, and the pride of place in the room was given to a table
where the record player sat.
"You know,"
Allison said, smiling, "you can get a better sound from a CD."
"Heretic."
He made as if to swat her, but she was well out of reach and they
both knew it.
"Smaller,
too," she said. "Better storage. Because, you know, one of
the operative words in CD is compact."
"Silvery
Frisbees," he said. "Saucerian slipped disks. Vinyl,
Allison Danielle. As God intended."
And yet, once you
dug a little below the surface, there were some similarities between
brother and sister. This deep and abiding love of music, for
instance. True, in Marian's case it was all classical stuff and
opera, while Bob's true loves spanned the big band era right up
through disco, but neither could be happy without music in their
lives.
"As God
intended? God listens to records?"
"If He does,
you can bet it's on vinyl."
Instead of going on
to tease him about MP-3 players and digital playlists, she heard
herself ask, "Uncle Bob, do you know anything about guns?"
**
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